Oscars 2011 Best Score: My Thoughts
It's been a night without sleep for me as I was watching the Oscars yet again. It started approximately at 2am and lasted until 6am so I am knackered.
Nevertheless, I was there for one thing and that was to be there when they announced the winners of the best score category. I watched and waited in anticipation, but in hindsight I should have been in bed sleeping because there were no unexpected surprises, no twists and turns, just standard Oscar-ness.
When is it going to be my year? When will my favorites win? It's not about the surprise either, because as The Academy has proved before, surprises can happen. The problem is that it's never a good surprise, like Babel in 2006.
Hopes were dashed yet again as I was clamoring to the silly notion that there must have been some divine reason for John Powell's nomination. Snubbed at the Golden Globes, why would it even be at the Oscars? As it turns out, it was for nothing. Sure, it's an honor just to be nominated but the reality is that it's 1 winner and 4 losers in the Best Score category.
The winner this year was surprising but not unexpected. Contradictions aside, I was expecting either The Social Network or The King's Speech to win with The King's Speech a slight favorite. I knew the second The Social Network was announced as the winner that this was purely compensation from The Academy due to the fact that The King's Speech was going to win all the really big awards. The Best Score win was simply a plaster on the wound for The Social Network. Not for a second do I believe that the voting members with an average age of 57 like the music of The Social Network over the other 4 nominees. Sorry, that's just not happening.
If the voting members actually voted on The Social Network because they thought the score was the best, then they have absolutely no appreciation for great music. The Social Network was decent, but competing with How To Train Your Dragon and Inception there's no explanation good enough to answer why it won instead of those two.
I have realized that The Academy will never think like I do, so it's a lost cause. Still I kick myself every year for getting excited and watching it. We all do right?
So these are just some thoughts of mine, I'm curious to what you all think?
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Comments
01 Mar 2011, 16:45
The odd thing about the HTTYD score is that although I thought it was a very, very good score and deserved to be nominated, I thought all the other nominees (excepting TSN, of course) were even better. Of course, that's just an opinion, but isn't everything else on this site? :)
01 Mar 2011, 09:14
I can say that HTTYD is a better score, you can say it too, most of the people agree with what we both have been saying, but that doesn't make our sayings a fact. All it depends upon, is taste. I love Inception for being so inventive, and i have heard someone say that Inception is unoriginal. Now, how are we supposed to conclude whether Inception is a 'good' score or not. The truth is, we simply cant.
As for why TSN won, it is as Jørn said, pure compensation.
01 Mar 2011, 08:07
Powell clearly took so much time to sync and fit it with each character, story and piece of dialogue. There are recognisable recurring themes and their developments throughout are fantastic. It's like they mature with the characters...
On top of all that, it is beautifully written and arranged. Most of the cues give me goosebumps.
I have been listening to both OST's trying so hard to find reasons why TSN won...and I just can't.
28 Feb 2011, 12:09
28 Feb 2011, 06:28
28 Feb 2011, 04:59
28 Feb 2011, 04:50
My favourite choice would have been HTTYD or Inception. HTTYD, for me, has been one of the most memorable scores. Inception, on the other hand, was inventive. Taking a simple sound structure, using it to create a timeless loop of tunes, and making it connect to the listener on an emotional level, not just for aural pleasure, is what makes Inception so unique, something which isn't easy to do. If a cue can make you feel, not just appreciate the music, then it is more than enough. There are several film scores which i listen to, and just appreciate the music, without ever feeling connected, and that, in my humble opinion is not a good piece of music. This is why people have so different choices. Different people feel connected to entirely different things and I wont blame them even if the Academy voters come and say that The Social Network was the best of the lot and deserved the award, if they really mean it. Speaking of me, it didn't and i feel sad my favorites didn't win. Thats all :)